Category: Reviews

  • interview by Michael McCarthy photos by Photo by Bart Stadnicki Starbreaker started off when heavy metal singer-songwriter Tony Harnell was going to do a solo album while on break from the legendary band TNT circa 2005. Instead, he wound up forming Starbreaker with guitarist extraordinaire Magnus Karlsson from Sweden, who is perhaps best known for…

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  • Longtime Love is Pop readers will likely recall the tunes we’ve posted from James of Arth & Arth fame, “English Skies” and “Bones,” which he released under the moniker FFS (For Fuck’s Sake). Well, for various reasons he’s re-christened himself under the name Bar Brutal Band

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  • by Michael McCarthy I first remember becoming aware of Kane Roberts when he was in Alice Cooper’s band at the same time as Kip Winger on Alice’s big, 1986 comeback album Constrictor. Prior to that album, Alice had released nearly a half-dozen misunderstood records that failed to do very well. (Although I happen to like…

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  • The too good to be true “Erase You” is Icelandic, electro dream-pop trio Vök’s latest single, following previous album singles “Spend The Love”, “Night & Day”, and “Autopilot”, which have received over 1 million streams collectively across all the usual platforms during the past few weeks.

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  • Robbie Williams seems to be juggling three careers these days.  There’s the mega pop star who last released the album Heavy Entertainment Show in 2016.  There’s the swing and jazz star who last released Swings Both Ways in 2013.  And there’s the “b-sides” star who’ll be releasing the third volume in his Under the Radar…

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  • Buckcherry’s new album Warpaint isn’t out until March 8th, but they’ve already blessed us with the first single, a kick-ass rendition of Nine Inch Nails’ “Head Like A Hole,” which happens to be my all-time favorite Nine Inch Nails song.  Meanwhile, Buckcherry is one of my favorite hard rock bands of all-time. 

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  • Do you like to listen to music when you draw?  Or when you chill out?  Or go to bed at night?  If any of these things appeal to you then you should adore Kid Koala’s ambient “Allotropic,” one of the wonderous instrumental songs from his Music to Draw To: io album

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  • review and photos by Joshua Bernard When I was younger, I used to be really into local, underground music. I would find local bands and follow their careers, attend their shows, and watch some of them go from being little local bands to somewhat major bands. I loved the intimacy of being able to be…

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  • Mylène Farmer – often called the Madonna of France – is my favorite female solo artist on the planet and has been ever since I bought her album Anamorphosée back in 1998 and immediately fell in love with her unique voice, both in terms of how her delicate singing pleases my ears and how her…

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  • Tony Harnell and Magnus Karlsson have done it again. “How Many More Goodbyes” is easily as brilliant as “Pure Evil,” the first single from their forthcoming album, Dysphoria.

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  • interview by Michael McCarthy photos by Joe Gorelick Red Dragon Cartel videos directed by Joe Gorelick If you were into heavy metal in the early ’90s, then chances are you were a fan of Lynch Mob, guitarist George Lynch’s post-Dokken band. Their debut album, Wicked Sensation, performed as well as a Dokken album and made…

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  • As a child of original UK reggae, a student of sound system culture, and a brave innovator on the frontline of the jungle/drum ‘n’ bass revival, DJ and producer Shy FX has his finger pressed firmly on the pulse of today’s British urban music scene.  And that of the rest of the world as well.  I…

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  • interview by Michael McCarthy “They’re like if The Cure, New Order and Nine Inch Nails went through a blender and came out tasting like the greatest Frappuccino ever,” I recall saying to a friend while trying to explain She Wants Revenge’s invigorating sound was like over a decade ago when their self-titled debut was all…

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  • Doe Paoro’s Soft Power album is her generation’s answer to Carole King’s Tapestry. Heartfelt, earnest singer-songwriter tunes with thought-provoking and insightful lyrics made with real instruments, including lots of smooth piano. All decorated with a wide variety of influences. For example, “Over” has a distinct Motown vibe while other tracks, like “Guilty” and “Cage of…

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  • I was excited when I heard that We The Kings were releasing a Christmas album. When I finally heard the album, entitled Greetings From The Sandbar, I didn’t know what to make of it. Why? Because it doesn’t sound much like We The Kings. Not because it’s Christmas music, but because it’s not pop rock…

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